Sample Paper on Artistic analysis of the movie Chicago

The Story Chicago is about the fuzzy line between evil and good across United State of America. The line between good and evil is considered to be more widespread today as compared to the 70s whereby the judicial system is fueled by celebrity Showbiz. By keenly watching the Chicago movie, one cannot fail to realize that it takes a criticism form. This movie can be described as a scathing satire that indicates how media and business make celebrities out of criminal activities. It is clear that the story behind the Chicago movie is greatly told through a series of burlesque acts. For instance, when Fosse says “okay you’ve been lied to long enough – we’re gonna pull back the curtain and let you see what’s really going on,” (Marshall, 2002) the statement is a clear definition of the satire within the story. Chicago can be considered to be a show that has a wider overflow of raw sexually creating a world that is dangerous, frightening as well as shocking. It is quite evident that Chicago shows define today’s world which is full of lies, compromises and conceits.

Chicago story is narrated in the vaudeville language with almost each and every song in this story is in a specific vaudeville tradition. Therefore, this creates a central premise whereby both lawlessness and crime are greatly glamorized by today culture which in turn becomes a popular mode of entertainment. Here, the fact that Velma and Roxie wanting to become famous because of their various crimes show an exaggeration of reality. Crime and the urge of becoming a celebrity can also be defined when evangelist Amy Semple accepts five thousand dollars so as to appear in vaudeville where later she is bombed.

It is quite clear that Velma is the main link in the Chicago plot. She takes the role of a host in which every act begins by her quoting various lines from Texas Guinan. Velma roles clearly link us to Chicago central theme. Roxie Hart is one of the interesting characters. Clearly, the Chicago show absent any type of unadulterated emotion. Seemingly, after Fosse’s heart attack, his obscurity was mounting and his repugnance to genuine sensation was becoming almost humorous. Amos can be considered to be the only character in the play who greatly demonstrates genuine love. He is one of the characters who acts totally selflessly. On the other hand, Roxie is redeemed at the end because she learn something that can only be done by her throughout the story.

The song “Nowadays” portrays conflicting feelings regarding showbiz as being sleazy and dirty while at the same time being exciting. The themes punishment and crime as a type of entertainment sends a message that media hype greatly undermine justice. O’Connell (2003) maintains that, courtrooms have turn out to be like playgrounds whereby, cameras installed in these rooms creates a different kind pop idol lawyers who largely perform for the television viewers while presenting their case. This act is perceived to bring confusion in courts. This can well be explained by the fact that Roxie is acquitted because she is a media celebrity, she wears good clothes and she is good in acting and not because she is not guilty.

Chicago describe much about our universe today putting in mind it take place in 1924 and is narrated in the vaudeville language. Therefore, it poses a challenge to both its directors and choreographs especially in finding both contemporary visual and physical language which is more or less equivalent to vaudeville in the 1920s. In simpler terms, to have a clear similarity in the story as narrated today and in 1924, there is need for each production to have similarity in language that can be understood in these tow timeframes (O’Connell,  2003). Although Fosse always indicate that the story Chicago was as a result to his reaction towards Watergate, it is quite clear that the story creates more relevancy in today worlds as compared in 1924. Today as it can be observed across the globe, the media are constantly engaged in making a wider pool of criminal celebrity while the general public is actively involved in protesting against various attempts of legalizing impunity in societies.

Work cited

Marshall, R. (2002). Chicago. U.S:  Don Carmody and Danny elfman

“Depth Analysis of a Movie – “Chicago”” 05 2006. 05 2006 <>.

Hollywood movies. Chicago. Retrieved on 9th October 2012 from

O’Connell, Sean (January 21, 2003). “Chicago”. Retrieved November 18, 2009.

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